追逐场景,包括“宁静”船员和船舶的同类相食的掠夺者,是责任Loni Peristere,视觉效果总监和第二单元导演的电影。“他们在气垫船,被追逐相貌吓人,掠夺者用锯片和鱼叉的船,”描述了Peristere,一个自称“Joss文登大学的毕业生。”He worked with the director on "Buffy," "Angel" and "Firefly" and is now a partner at Zoic Studios, a visual effects house.
亚洲的影响“萤火虫”延续“宁静”。”Joss feels like if you were to look at the world like a giant cultural pie, Asia is very important and that if you were to advance civilization by 500 years, that's going to be the predominant culture," says Peristere. "It's looking at what scientists and sociologists are forecasting and putting that into this world. Also it's pretty, intricate and beautiful, the art and culture. It brings a nice sort of tone to the space that we're in."
她主演的训练,虽然不如Glau密集,菲永说演员亲切地称为“像一个女孩俱乐部而战。””I'd be done and Summer was still there, fighting against nine guys," he says admiringly.
武器是另一个主要的混合行动的一部分。“他们不确定谁会拍摄所以他们有我们熟悉的一切可能对脚本,”肖恩·马赫说,西蒙Tam博士饰演。珠宝Staite(船舶机械Kaylee)补充道,“这一枪太重,每次我,它会跳弹,我燃烧了我一腿。”Baccarin had to learn archery for the movie. "I really took to it. But when the time came to shoot, they were like, 'all right, let's clear the set.' Everybody put on goggles and hard hats. But they gave me an X to hit, and I hit it every time."